Hellenistic bronze situlae from Nesactium

These are the design of the situla and the overall making with this part, we could note that the manufacturers have opted for an appealing method of the handles. The swinging grips sort an arc, ending in the alleged mushroom buttons. A depth price hanging out exploring could be the nine-petal palmette concept on each manage addition ring. Between those bands, there’s a lotus flower that brings an additional feel of embellishment to the piece.

It is exactly those palmettes that interest us, offering some details which we can investigate also further. Basically, such artefacts like the situla in VBC may be divided into two unique communities, depending on the approach useful for their creating or their design. Hence, the technique-based group is targeted on if the palmette and the connection rings are throw of a bit with the body, whereas the design-based group consists of parts that have easy alternatives of the palmette motif.

You can find other parts with more step-by-step palmette, different aspects, plants, acanthus leaves and other ornamentations as well. What also distinguishes that party could be the colorful impact created by some facts in magic as well as the utilization of copper. Apparently enough, a bit of that form that has been recently discovered derives from Verginia/Aigai. Bulgaria can also be one of many areas where such parts were found. One situla derives from Malomorivo-Zlatnitsa. Specifically, it had been found in a grave from the second quarter of the 4th century BC. The actual source of the other situla is, however, unknown. What’s more, you will find two different fragmentary pieces, with one of them coming from Tishiki in Ukraine and another one from Budva.

When it comes to the provenance and the dating of the group of artefacts, small data is famous or being confirmed. Facts continue to be being debated. However, for what is identified, the most detailed instances are said to have Basement origin. Less plausibly, a Peloponnesian origin has been proposed too. Some evidence implies that there are pieces that fit in with a Macedonian court course as well.

The bronze Vassil Bojkov that is part of Vasil Bojkov Series is related to the North Aegean or Propontis and is also considered to follow a number of the specific qualities inspired by the Ionian style. The part days back again to 400-375 BC.

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